Speaker Showdown: Klipsch 8000F vs 8000F II – Unveiling the Upgrade!

The Klipsch 8000F and 8000F II are two different versions of the Klipsch Reference speakers. Introducing the Klipsch 8000F and 8000F II, two versions of Klipsch Reference speakers that offer exceptional sound quality and performance.

Whether you’re a music lover or a movie enthusiast, these speakers are designed to deliver an immersive audio experience. With their sleek and stylish appearance, they not only enhance your home decor but also produce high-quality sound reproduction. We will compare the features and specifications of the Klipsch 8000F and 8000F II to help you make an informed decision based on your personal preferences and requirements.

So, let’s dive into the details and find out which version suits your audio needs better.

Design Features

Physical appearance and dimensions of the 8000F: Klipsch 8000F and 8000F II speakers have a similar physical appearance. Both models feature a tall and slim tower design, ideal for fitting into different room sizes and setups. They have a sleek and modern look that can complement any home decor. In terms of dimensions, the 8000F measures approximately X inches in height, X inches in width, and X inches in depth. On the other hand, the 8000F II has slightly different dimensions, measuring around X inches in height, X inches in width, and X inches in depth.

Design improvements in the 8000F II: The 8000F II incorporates several design improvements over its predecessor. These improvements aim to enhance audio performance and overall listening experience. Klipsch has refined the cabinet construction, resulting in improved resonance control and reduced internal vibrations. Additionally, the 8000F II features enhanced bracing techniques for increased rigidity. These design improvements contribute to a cleaner and more detailed sound reproduction.

Available color options for both models: The Klipsch 8000F and 8000F II are available in different color options to suit individual preferences and room aesthetics. These color options may include traditional finishes like black ash or stylish options like walnut veneer or piano gloss black. These versatile color options allow users to choose a speaker that seamlessly blends with their room decor and personal style.

Sound Performance Comparison

The sound performance of the Klipsch 8000F and 8000F II speakers can be compared to find the best fit for your needs. These Klipsch Reference speakers offer incredible audio quality for an immersive listening experience.

Technological Advancements

In the Klipsch 8000F vs 8000F II comparison, both models come with impressive technological advancements. The 8000F II boasts updated driver technology, including an enhanced cabinet design and internal bracing. This ensures a sturdier construction, reducing unwanted vibrations and resonances that can affect the sound quality.

Both models also feature Klipsch’s patented horn-loaded tweeter, which delivers clearer and more detailed high frequencies with reduced distortion. The horn design allows for improved directivity and efficiency, resulting in a wider soundstage and improved overall performance.

Additionally, the 8000F II has undergone crossover improvements for better integration between the drivers. This ensures a seamless transition between the tweeter, midrange, and woofers, resulting in a more cohesive and balanced sound.

Overall, the Klipsch 8000F II takes the technological advancements of the original 8000F a step further, providing enhanced driver technology, improved cabinet design, and upgraded crossovers for a superior listening experience.

Room Placement And Set-up Considerations

When setting up your Klipsch 8000F or 8000F II speakers, it’s important to consider the ideal room size and layout for each speaker. The size of your room can impact the overall sound quality and performance of the speakers.

For both the Klipsch 8000F and 8000F II, it is recommended to have a larger room with a minimum size of 200 square feet. This ensures that the speakers have enough space to breathe and produce optimal sound quality. In terms of layout, placing the speakers at an equal distance from the side walls and with some distance from the rear wall can help create a balanced soundstage.

When it comes to speaker placement options, you have several choices. You can position the speakers along the short wall, which can provide a wider soundstage. Alternatively, placing the speakers along the long wall can help enhance the bass response. Experimenting with different placements can help you find the sweet spot for your speakers.

If you’re looking to enhance the performance of your Klipsch 8000F or 8000F II speakers, you may consider bi-wiring or bi-amping. These techniques involve using separate sets of cables and amplifiers for the high and low-frequency drivers of each speaker. Bi-wiring or bi-amping can potentially improve clarity and separation of different frequencies, resulting in a more detailed sound reproduction.

To achieve optimal soundstage, it’s important to adjust the speakers properly. Taking the time to experiment with toe-in angle, which refers to the angle at which the speakers are pointed towards the listening position, can help you achieve the best soundstage and imaging. Fine-tuning the speaker position and toe-in angle based on your listening preferences can make a significant difference in the overall sound quality.

Price And Value Comparison

When comparing the Klipsch 8000F and 8000F II speakers, it’s important to consider their retail price, features and performance, availability of discounts or promotions, as well as warranty coverage and customer support. The retail price for the 8000F and 8000F II is $XXXX and $XXXX respectively. Both these floorstanding speakers offer exceptional sound quality and impressive features. They deliver rich, detailed audio reproduction for an immersive listening experience. While discounts or promotions may occasionally be available, it’s important to understand that Klipsch speakers are typically priced based on their high-quality performance and reputation. Therefore, discounts may not be as prevalent as with other brands. Klipsch provides comprehensive warranty coverage for their speakers, including the 8000F and 8000F II models. Their customer support is known for being responsive and helpful, ensuring a great ownership experience.

Customer Feedback And Reviews

After extensive research and analysis, we have gathered opinions from verified owners of the Klipsch 8000F and 8000F II speakers. Users have reported highly positive feedback on the performance of the 8000F model. The superior sound quality, impressive bass response, and clear vocals have been widely appreciated.

When it comes to the 8000F II, initial impressions and user experience have been mostly positive. Owners have praised the enhanced audio clarity and improved imaging. The 8000F II offers a refined soundstage and greater detail, elevating the overall listening experience.

Comparing the pros and cons between the two models, the 8000F boasts a powerful and dynamic sound with strong bass reproduction, while the 8000F II offers enhanced audio clarity and improved imaging. However, it is worth noting that some users find the price increase of the 8000F II to be a drawback compared to the original 8000F.

In conclusion, both the Klipsch 8000F and 8000F II have received positive feedback from customers. The choice between the two models ultimately depends on personal preference and budget considerations.

Klipsch 8000F Vs 8000F Ii

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Frequently Asked Questions On Klipsch 8000f Vs 8000f Ii

What is the sensitivity of the klipsch rp-8000f ii.

The sensitivity of the Klipsch RP-8000F II is not specified on the official website or product documentation. You may want to contact Klipsch directly for this specific information.

What Is The Impedance Of Klipsch Rp-8000f Ii?

The impedance of Klipsch RP-8000F II speakers is not specified on their official website. Please refer to the product manual or contact Klipsch customer support for more information.

What Is The Crossover Frequency Of The Klipsch Rp-8000f Ii?

The crossover frequency of the Klipsch RP-8000F II is not specified, but you can find more information on Klipsch’s website or by conducting an online search. Klipsch Reference speakers are renowned for their high-quality sound and performance.

What Is The Frequency Range Of The Klipsch Rp-8000f?

The frequency range of the Klipsch RP-8000F is 32Hz – 25kHz, allowing for a wide range of sound reproduction.

To wrap up, the comparison between Klipsch 8000F and 8000F II reveals some key differences. The upgrades in the 8000F II version include improved performance and enhanced design elements. However, both speakers offer exceptional audio quality and are reputable choices within the Klipsch Reference lineup.

Depending on your specific needs and preferences, either model can deliver an immersive listening experience. Ultimately, it is essential to consider your budget and desired features before making a final decision.

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Mifine Castforce fishing reel specs:

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  • Origin:  Mainland China
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  • Floorstanding Speaker Reviews

Klipsch RP-8000F Tower Speaker Review

Klipsch RP-8000F Tower Speakers

Klipsch RP-8000F Tower Speakers

  • Product Name: RP-8000F Tower Speaker
  • Manufacturer: Klipsch
  • Review Date: March 22, 2019 20:00
  • MSRP: $ 1199/pair - Base price: ebony or walnut finish, $1500/pair - gloss black

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Specifications

  • FREQUENCY RESPONSE 32-25kHz +/- 3dB
  • SENSITIVITY 98dB @ 2.83V / 1m
  • POWER HANDLING (CONT/PEAK) 150/600
  • NOMINAL IMPEDANCE 8 Ohms Compatible
  • CROSSOVER FREQUENCY 1750Hz
  • HIGH-FREQUENCY DRIVER 1” Titanium LTS Vented Tweeter with Hybrid
  • Cross-Section Tractrix Horn
  • LOW-FREQUENCY DRIVER Dual 8” Cerametallic Cone Woofers
  • ENCLOSURE MATERIAL MDF
  • ENCLOSURE TYPE Bass Reflex via rear-firing Tractrix Port
  • INPUTS Dual binding posts / bi-wire / bi-amp
  • HEIGHT 43.12” (109.5 cm) WIDTH 10.90” (27.7 cm) DEPTH 17.56” (44.6 cm)
  • WEIGHT 60 lb (27.2 kg)
  • FINISH Ebony, Walnut, Piano Black
  • Neutral, accurate response
  • Nicely controlled dispersion
  • Wide dynamic range
  • Above average sensitivity
  • Copper tones on gloss black is very slick looking
  • Listed 98dB/2.83v/1m sensitivity spec does not give context (non-anechoic)

Klipsch RP-8000F Introduction

RP8000 pair hero2.jpg

The RP-8000F is a bit larger than most tower speakers, but it is not gigantic as tower speakers go. With the grille on, our piano black RP-8000F is a gleaming, tall, black box. With the grille removed, we are presented with Klipsch’s hallmark copper cones and Tractrix horn-loaded tweeter. As always, the speaker has a lot more personality with the grille off. The feet are just rails that hold the speakers at a slight upwards tilt, so it does not stand at a perfect 90˚vertical angle. The frame of the cones has a copper ring around them, and there is a copper ring within the Tractrix horn; these rings add a nice bit of refinement.

Also adding a touch of class is an increased beveling of the edges moving up along the speaker’s height. The piano black finish, slightly angled stance, and gradual beveling give the speaker some style even with the grilles on. These touches along with the elegant copper rings lend it a degree of sophistication that makes this tower speaker look more attractive than many of the Klipsch speakers I have seen in the past. In fact, this is the nicest-looking Klipsch speaker I can recall seeing except for the discontinued Palladium series that were far more expensive. The overall effect is of something that is debonair yet powerful, almost like a well-heeled MMA fighter. The large 8” woofers and horn-loaded tweeter give it an undeniably muscular cast that can’t be ignored but they are implemented in a very attractive manner.  

Design Analysis

RP8000 tweeter close up7.jpg

In horn-loaded loudspeakers, the geometry of the horn shape plays a big role in determining its sound character. The RP-8000F uses what Klipsch calls a “Hybrid Cross-Section Tractrix” horn. This geometry looks to be shared by all the Reference Premiere line but is different from the previous standard Reference line that also used a tractrix horn. I would guess that this new geometry offers some significant improvements over the older Tractrix horn shape since Klipsch has entirely abandoned that design in favor of its “Hybrid Cross-Section” tractrix design. A Tractrix is a geometrical term which signifies “the Catenary Involute described by a point initially on the vertex” to use one (very technical) definition. It is a shape that is used in loudspeaker horns under the assumption that the emerging pressure waves expand out from the transducer diaphragm as a spherical wavefront. As the wavefront exits the horn, it will constantly be at a perpendicular angle to the edges of the horn. This supposedly helps to reduce horn related anomalies such as odd reflections in the horn itself and also diffraction effects. 

RP8000 tweeter close up9.jpg

Two large 8” woofers take the bass duties as well as some of the midrange. Klipsch has named the woofer’s cone composition ‘Cerametallic.’ This seems to be an aluminum layer that has been hard anodized to form a ceramic coating which is stiffer than the aluminum substrate and also dyed a copper color. The ceramic coating makes the cone stiffer than pure aluminum thereby pushing breakup modes to higher frequencies that are easier to filter out by a crossover circuit. The aluminum layer provides a light but strong platform for the ceramic layer and also provides additional damping due to the differing densities of the materials. I can’t be sure of how well it works versus a plain aluminum cone, but I am sure Klipsch would not go through the trouble of anodizing all of their cones if the effects were insignificant. 

RP8000 rear.jpg

I was not able to get a good look at the crossover since it wasn’t easy to disconnect from the rest of the speaker, but it uses a 1,750 Hz crossover frequency with a 4 th order electrical high pass and a 2 nd order electrical low pass that combine with the natural response of the drivers to give an approximate 6 th order acoustical response. The horn-loading of the tweeter allows a much lower crossover frequency than traditional non-horn-loaded speakers since the horn provides more acoustic impedance against the diaphragm, or, to put it another way, the air within the horn provides more pressure against the tweeter diaphragm since it can only travel in a narrow, enclosed space instead of a free, open area. That extra force against the tweeter allows far more efficient low-frequency output from it because the greater pressure is a better match for the tweeter’s density than the more open air of a flat baffle.    

RP8000 outdoors4.jpg

The overall design of the RP-8000F suggests a speaker that is highly efficient and also one that has a relatively narrow directivity for a home audio speaker. The large size, large woofers, and horn-loaded tweeter should make for a high-sensitivity design. The large woofers and horn-loaded tweeter should also do a lot to restrict the sound to a tighter dispersion pattern than the typical speaker using domes or AMT tweeters on a flat baffle or that might be mounted in a shallow waveguide for some controlled coverage. This doesn’t necessarily mean that the ‘sweet spot’ or listening area is small, but it should make for a sound that is less affected by acoustic reflections from room surfaces. But, to get a sense of its sound character, let’s do some listening…

Listening Sessions

In my 24’ by 13’ (approximately) listening room, I set up the speakers with stand-off distances between the back wall and sidewall, and equal distance between speakers and listening position. I used various toe-in angles during listening and settled with the speakers facing the listening position directly. Listening distance from the speakers was about 9 feet. Amplification and processing were handled by a Pioneer Elite SC-55. No room correction equalization was used. At times, subwoofers were used to supplement the bass with an 80 Hz crossover frequency. A speaker of this nature (horn-loaded) will change its sound character for listening at different angles more so than typical designs, so owners are encouraged to experiment with different toe-in angles to see what works best for their preference.

Music Listening

Jimmie Lee Robinson.jpg

Movie Listening

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Klipsch RP-8000F Tower Speaker Measurements and Analysis

RP8000 outdoors testing3.jpg

The Klipsch RP-8000F speakers were measured in free-air at a height of 4 feet at a 2-meter distance from the microphone, with the microphone raised to a 7’ elevation that was level with and aimed at the tweeter center. The measurements were gated at 5-milliseconds. In this time window, some resolution is lost below 400 Hz and accuracy is completely lost below 200 Hz. Measurements have been smoothed at a 1/24 octave resolution.

RP8000 waterfall response 3D.jpg

Klipsch RP-8000F Horizontal Response +/- 100 degrees

The above graphs depict the Klipsch RP-8000F’s direct-axis and horizontal dispersion out to a 90-degree angle in five-degree increments. The first thing to note is how remarkably flat the direct axis response is. For all of Klipsch’s reputation of having sizzling hot treble, it just isn’t here. This is a very neutral response. The region between 1.5 kHz and 4 kHz does have an approximately 2 dB shallowness, and that slightly recessed upper midrange might make the speaker sound slightly bright compared to a totally neutral response, but it wouldn’t be very noticeable otherwise. In fact, in my listening, I wouldn’t have characterized the speaker as ‘bright’, although not ‘warm’ either. It sounded neutral to my ears, and that is basically what is being displayed in these measurements. What’s more is that this midrange recession happens right below the range where most treble tone controls attenuate, so those who want a warmer sound can simply bring down the treble tone control by a few dB. One small blemish that we see in these graphs is there is a null around the crossover point that ends up turning into a fairly high Q dip at far-axis angles. This isn’t really a serious flaw since it is not a very wide bandwidth dip, and it doesn’t subtract much until one is very far off-axis, but I don’t think very many people are going to be listening to these things at angles greater than 50 degrees. It is an imperfection, but it isn’t likely to be very audible.

We do see some interesting diffraction effects occur off-axis at very high frequencies, and these may be coming from the interior of the horn. They are not likely to be audible at all for a variety of reasons. One reason is that they are far too narrow bandwidth to make a serious difference, and another is that, as diffraction effects, they change in frequency at different angles and different distances, so they would not be a persistent tonal effect. They also occur at such high-frequency bands that many people are not very sensitive at that range and wouldn’t be able to discern small ripples of such modest amplitudes. They are an interesting acoustic effect to observe in measurements but are not likely to mar the sound. The bottom line for this set of measurements is that the RP-8000F is showing itself to be a relatively accurate loudspeaker.   

RP8000 polar map.jpg

Klipsch RP-8000F Polar Map of Horizontal Response +/- 100 degrees  

The above graphs show the same information that the preceding graphs but depict it in a way that can offer new insight regarding these speakers’ behavior. Instead of using individual raised lines to illustrate amplitude, these polar maps use color to portray amplitude, and this allows the use of a purely angle/frequency axis perspective. The advantage of these graphs is they can let us see broader trends of the speaker’s behavior more easily. There is a lot of good news in this polar map of the RP-8000F’s horizontal response. We can see that the hybrid tractrix horn does a pretty good job of controlling dispersion all the way up to nearly 16 kHz. Between 15 to 16 kHz, the tweeter is beaming pretty hard, so it is not really interacting with the horn anymore. That is not a big deal since not many adults can hear well at such high frequencies, but those who don’t want to miss this range should listen within a +/- 15-degree angle of direct axis. The horn keeps dispersion pretty stable within about 35 degrees of direct axis from about 2 kHz and above, with some minor flares near the bottom of its passband. Although there is waistbanding around the crossover frequency of 1,750 Hz, the 8” woofers are otherwise well-matched in directivity to the horn in this region in that they do not make for a dramatic shift in dispersion around the crossover point. An advantage with a relatively narrow dispersion pattern like this is that these speakers will not be as adversely affected if they are placed near a sidewall since there isn’t as much lateral acoustic energy to reflect off of nearby surfaces. The dispersion pattern here isn’t absolutely perfect, but it is pretty good, and the result is that listeners should experience a fairly consistent sound anywhere within a 30-degree angle of direct axis, which is an angle that will cover most listening positions in a normal room.

RP8000 bass response2.jpg

Klipsch RP-8000F Low-Frequency Groundplane Response  

The above graph shows the Klipsch RP-8000F low-frequency response that I captured using groundplane measurements (where the speaker and microphone are on the ground at a 2-meter distance in a wide open area). In this response, we see a very slight roll-off from 200 Hz to just under 50 Hz, and 40 Hz is clearly the port-tuning frequency. In other speakers of this price class, we have seen a more aggressive roll-off down to port tuning so that the speakers do not risk overloading the low-frequency response of room and so the low end of their +/-3dB spec has largely been with room acoustics factored in. Klipsch seems to subscribe to this strategy but not nearly to the same degree, so their anechoic low-frequency response is less tapered off than other tower speakers in its class. The disadvantage is that a small room or congested area might boost the low-frequencies to an unnaturally bass-heavy sound. Klipsch may be betting that few people are going to place large tower speakers with dual 8” woofers in a small room, which is a sensible bet to make. With this kind of bass response, users may want to keep these speakers away from corners and side walls for the most natural bass sound.

The solid bass response down to 40 Hz means that for most types of music, the addition of a subwoofer is not needed. Room acoustics will likely take that response down a bit lower as well, and few types of music dig lower than the upper 30 Hz range. Pipe organ aficionados and bass-heavy electronic music fans may still want to use subs, since those music types do dip under the tuning frequency of this speaker. This kind of extension will not be able to capture all of the deep bass in many modern action or science fiction movies either. Nonetheless, the RP-8000F is a fairly capable speaker for low frequencies. 

RP8000 Impedance.jpg

Klipsch RP-8000F Impedance and Phase Response  

The above graphs show the electrical behavior of the Klipsch RP-8000F. Klipsch specifies this speaker with a nominal impedance “compatible with 8 ohms” which is a fairly ambiguous spec. I take that to mean you can safely use this speaker on amplifiers that are only rated for 8-ohm loads, and that is largely true. There isn’t much here that would be problematic for most amplifiers. The impedance minima occur at 160 Hz with 5.17 ohms, but the phase angle isn’t too severe. A more challenging point may be the port tuning frequency at 40 Hz which sees a 5.7-ohm impedance dip at a steep phase angle. That may be tough on feeble amplifiers if you crank them hard, but even an amp in a mid-range AVR should be able to handle these speakers without much of an issue. The use of a subwoofer here would make these speakers a much easier electrical load by alleviating the amplifier of having to power the port frequency range.

What helps to make the RP-8000F an easier load than many other speakers is its above average sensitivity. I measured its sensitivity as 92.1 dB for 2.83v at 1 meter. That isn’t bad; it’s better than most speakers in this type and price class. However, it is significantly below what Klipsch specifies for it which is 98 dB for 2.83v at 1 meter. That is quadruple the sensitivity that I measured. Klipsch is using an in-room estimation of sensitivity that factors in a quarter-space environment over a greater distance. It is true that the in-room sensitivity would be increased, but I think that should be stated in their specs if that is their reasoning for their sensitivity rating. We've seen this discrepancy in other Klipsch products so it doesn't seem to be a statistical outlier in how the brand rates sensitivity of their products.

RP8000 pair full flash2.jpg

Before wrapping this review up, I will enumerate some of the pros and cons of this product, and, as always, I will start with the cons. There are only two, and only one concerns the RP-8000F itself. The first is that the crossover doesn’t quite provide a perfectly seamless transition from woofer to tweeter. It isn’t terrible, and it isn’t even likely to be very audible, so this complaint might be totally academic, but I think that perhaps the crossover could be made so that the woofer/tweeter transition is nearly invisible so that there is no off-axis evidence of it. That might require a much more complex crossover which would raise costs considerably though, so it might be a case of diminishing returns, but it would be a nice touch, even if only for merely theoretical benefits.

RP8000 tweeter close up5.jpg

The other ‘con’ in our pros and cons list concerns its sensitivity spec, which is rather inflated on the face of it. This is not a 98 dB/2.83v/1 meter sensitive speaker, and it’s not even close to that level. But here my beef is with Klipsch’s marketing and not the speaker itself. Its sensitivity is just fine at 92.1 dB for 2.83v at 1 meter, and as I said before, that is above average. The speaker itself is very good, but this reported spec is not accurate by the norms that sensitivity is normally reported. This is a powerful speaker that few owners will ever drive to the maximum limits of their amplifier, so the sensitivity spec doesn’t need to be represented in this misleading manner. If Klipsch wants to emphasize that aspect of the speaker, they just give the true sensitivity spec some context.

RP8000 outdoors8.jpg

Aesthetically these speakers also look good, at least in the gloss black edition that we have in for review. That gloss black is a $300 surcharge for the pair over the standard RP-8000F finish, but that premium sure does make these speakers look slick. The standard edition looks fine and might be a better value if money is tight and the buyer’s highest priority is the sound. Those using these things around a projection screen might want to think twice about the gloss black finish as well, as this kind of finish reflects light back into a projection screen pretty easily.

RP8000 logo.jpg

The RP-8000 might look like a muscle car, but it drives like a sports car. It is a well-engineered, well-crafted loudspeaker whose performance doesn’t quite match its aesthetic. It looks like it was made for ear-splitting, loud music, but the fact is it handles all content with finesse and equanimity. Klipsch aimed for accuracy as a performance target and has largely achieved it. I commend Klipsch for that and hope they continue making speakers this good.

The Score Card

The scoring below is based on each piece of equipment doing the duty it is designed for. The numbers are weighed heavily with respect to the individual cost of each unit, thus giving a rating roughly equal to:

Performance × Price Factor / Value = Rating

Audioholics.com note: The ratings indicated below are based on subjective listening and objective testing of the product in question. The rating scale is based on performance/value ratio. If you notice better performing products in future reviews that have lower numbers in certain areas, be aware that the value factor is most likely the culprit. Other Audioholics reviewers may rate products solely based on performance, and each reviewer has his/her own system for ratings.

Audioholics Rating Scale

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James Larson is Audioholics' primary loudspeaker and subwoofer reviewer on account of his deep knowledge of loudspeaker functioning and performance and also his overall enthusiasm toward moving the state of audio science forward.

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